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Little Shop of Horrors Where Was It Filmed

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1960 American comedy revulsion film directed by Roger Corman

The Little Shop of Horrors
LittleShop.jpg

Theatrical release poster
Directed by Roger Corman
Screenplay aside Charles the Great B. Griffith
Produced past Roger Corman
Major
  • Jonathan Haze
  • Jackie Joseph
  • Mel Welles
Narrated by Wally Campo
Cinematography
  • Archie R. Dalzell
  • Vilis Lapenieks
Edited by Marshall Neilan Jr.
Medicine by
  • Fred Katz
  • Uncredited:
  • Ronald Stein

Production
companies

The Filmgroup
Saint Nick Clara Productions[1]

Distributed by The Filmgroup
American International Pictures

Button go out
  • September 14, 1960 (1960-09-14)

Running time

 72 minutes[2]
Country United States
Language English
Budget $28,000–34,000[3] [4]
Ticket booth 25,066 admissions (France)[5]

The Little Shop of Horrors is a 1960 American horror soiled comedy plastic film oriented by Roger Corman. Written by Charles B. Griffith, the film is a farce about an unsatisfactory flower store's assistant who cultivates a plant that feeds along human blood. The film's concept may deliver been inspired aside "Green Thoughts", a 1932 story by John Pitman about a human beings-eating plant.[6] Hollywood writer Dennis McDougal suggests that Griffith may have been influenced by President Arthu C. Clarke's 1956 sci-fi short-run story "The Reluctant Orchid"[7] (which was successively inspired past the 1905 H. G. Wells story "The Flowering of the Strange Orchid").

The celluloid stars Jonathan Haze, Jackie Joseph, Mel Orson Welles, and Dick Miller, who had all worked for Corman along previous films. Produced under the title The Burning People Eater,[8] [9] the film employs an original title of humor, combining black clowning with farce[10] and incorporating Jewish wittiness and elements of spoof.[11] The Wee Shop of Horrors was shot on a budget of $28,000 (more or less $240,000 in 2019),[12] with interiors being shot in two years utilizing sets that had been left standing from A Bucket of Blood.[13] [14] [15] [16]

The film easy gained a religious cult following through word of sass when it was distributed A the B motion picture in a double feature with Mario Bava's Black William Ashley Sunday [13] [17] and later with Worst Woman on Earth.[13] The film's popularity increased with local television set broadcasts,[18] and the presence of a young Jack Nicholson, whose small role in the shoot has been prominently promoted along home television releases of the picture.[19] The movie was the basis for an Off-Broadway musical, Little Shop of Horrors, and was notably remade into a 1986 feature film and the musical enjoyed a 2003 Broadway revival, all of which have attracted aid to the 1960 take.

Plot [edit]

Seymour, Mushnick and Audrey look down upon a growing Audrey Jn.

Penny-pinching Gravis Mushnick owns a florist shop staffed by himself and cardinal employees, the sweet Audrey Fulquard and the clumsy Seymour Krelborn. Located on slue wrangle, the summing up shop gets little business. When Seymour fouls up a flowered arrangement for sadistic dental practitioner Dr. Farb, Mushnick fires him; hoping to change his mind, Seymour tells him about a special implant he has grown from seeds he got from a "Japanese gardener over on Central Avenue."[20] Seymour admits that he named the plant "Audrey Jr.", which delights the real Audrey.

Jane Seymour fetches his sickly, unexpended-looking potted plant, just Mushnick is unimpressed. When it is advisable that Audrey Junior.'s uniqueness might attract people to see it, Mushnick gives Jane Seymour one workweek to recreate it. The usual kinds of plant food cause not nourish the plant, but when Jane Seymour accidentally pricks his feel, He discovers that the plant craves blood. Fed on Seymour's blood, Audrey Jr. begins to grow and the shop's revenues increase when curious customers are lured in to meet the plant. Mushnick tells Jane Seymour to refer to him as "Dad" from then along, and calls Jane Seymour his Word before of a customer.

The plant develops the power to mouth off and demands that Seymour feed it. Now anemic, Seymour walks along the railroad; when he heedlessly throws a rock to vent his frustration, he inadvertently knocks retired a man who falls on the track and is run over by a groom. He tries to get obviate the body away throwing it away and burial information technology in a yard, only is nearly caught some times. Guilt-ridden but resourceful, Seymour decides to feed the mutilated body parts to Audrey Jr. Meanwhile, Mushnick returns to the patronize to get some cash and secretly observes Seymour alimentation the plant. Mushnick considers telling the police, but procrastinates when he sees the line of people waiting to spend money at his shop the next day.

Jane Seymour arrives the next morning suffering from a odontalgia; despite not exit to the police, Mushnick still confronts Seymour about Audrey Jr.'s feeding habits, while not explicitly revealing what he knows about the plant. Seymour grows progressively distressed as helium realizes that his boss is onto him. After coating his rant, Mushnick sends Seymour to the dental practitioner; soon later, Audrey runs dormy and declares that the shop needs many more flowers. When Seymour visits Dr. Farb, the doctor tries to capture even for his ruined flowers. Seymour, defending himself, grabs a sharp joyride and stabs and kills Farb. Although horrified, Seymour feeds Farb's body to Audrey Jr. The unexplained disappearances of the two workforce attract the aid of Sergeant Joe Fink and his assistant Officer Frank Stoolie, who are call for-offs of Dragnet characters Joe Friday and Hot dog Smith.[15]

Audrey Jn. has grown several feet tall and is budding, as is the relationship between Seymour and Audrey. A allegorical of the Society of Silent Flower Observers of Rebel California comes to the browse and announces that Seymour volition have a trophy, and that she will deliver when the implant's buds open. While Seymour and Audrey expire along a date, Mushnick stays at the rat to see that Audrey Jr. harms none cardinal else.

Mushnick finds himself at the mercy of a robber who pretended to glucinium a customer earlier that day and believes that the huge crowds he was among at the shop indicates the presence of a large amount of money. Mushnick tricks the robber into thinking that the money is hidden in the engraft, which crushes and eats him. When Seymour is strained to impairment his relationship with Audrey to keep her from discovering the plant's nature, he confronts the plant and asserts that He leave no more do its bidding. The plant and so hypnotizes Jane Seymour and commands him to fetch information technology more food. He wanders the night streets and (accidentally) knocks out a streetwalker, who he takes to feed Audrey Jr. Lacking clues about the mysterious disappearances of the two manpower, Snitcher and Stool pigeon attend a sundown celebration at the shop during which Jane Seymour is to be presented with the prize and Audrey Jr.'s buds are foreseen to open.

As the attendees watch, four buds loose; inside each bloom is the face of one and only of the found's victims. Fink and Snitch actualise that Seymour is the murderer; he flees from the shop with the officers in pursuit. He manages to lose them and make his way back to the now-empty shop, where he blames Audrey Jr. for ruin his life, simply the found kept asking to be Federal Reserve System, Seymour grabs a kitchen knife and climbs into Audrey Jr.'s maw expression, "I'll feed you like you've never been fed before!", apparently attempting to kill the flora. Later that evening, it is discovered that Audrey Jr. has begun to wither and die. One final bud opens to reveal the face of Seymour, who has been eaten by the plant. He pitifully moans, "I didn't mean information technology" and the heyday droops, apparently ending Audrey Jr.'s life.

Shape [edit]

  • Jonathan Haze arsenic Seymour Krelboined[21]
  • Jackie Joseph as Audrey Fulquard[22]
  • Mel Welles as Gravis Mushnick
  • Hawkshaw Miller as Burson Fouch
  • Vinca minor Vail equally Winifred Krelboined[23]
  • Sandra De Bear (as Tammy Windsor) atomic number 3 Shirley Plump[24]
  • Toby Michaels atomic number 3 Barbara Fridl[24]
  • Leola Wendorff as Mrs. Siddie Siva
  • Lynn Storey as Mrs.. Hortense Feuchtwanger[25]
  • Wally Campo as Sergeant Joe Fink / Narrator
  • Jack Warford as Policeman Frank Snitcher
  • Meri George Orson Welles (as Merri Welles) as Leonora Clyde
  • John Woodrow Charles Herman Shaner (as John Shaner) as Dr. Phoebus Farb
  • Jack Nicholson as Wilbur Force[26]
  • Dodie Drake as Waitress
  • Charles IX B. Griffith (uncredited) as Representative of Audrey Jr./Screaming Patient/Kloy Haddock
  • Sea do Griffith (uncredited) as Agony Luxuriant[27]
  • Robert Coogan (uncredited) atomic number 3 Tramp

Development [delete]

The Little Shop of Horrors was developed when film director Roger Corman was given temporary access to sets that had been remaining standing from his previous photographic film, A Bucket of Blood. Corman distinct to use the sets in a film made in the last two years ahead the sets were torn down.[8] [9] [13] [14] [15]

Corman initially planned to grow a story involving a PI. In the fib's first version, the character that eventually became Audrey would have been referred to as "Oriole Plove." Actress Nancy Kulp was a leading prospect for the part.[13] The characters that eventually became Seymour and Winifred Krelboined were titled "Irish Eye" and "Iris Eye".[13] Thespian Mel Welles was regular to play a fibre named "Draco Cardala," Jonathan Haze was scheduled to play "Archie Aroma," and Jack Nicholson would have played a character titled "Jocko".[13]

Charles B. Griffith wanted to write a repugnance-themed comedy film. According to Mel Welles, Corman was non impressed by the ticket office performance of A Bucket of Blood, and had to comprise persuaded to direct another comedy.[9] Even so, Corman future claimed he was fascinated because of A Pail of Blood and aforementioned the development process was similar to that of the earlier film, when He and Griffith were inspired by visiting several coffee houses:

We tried a similar plan of attack for The Olive-sized Shop of Horrors, descending in and out of various business district dives. We terminated up at a place where Sally Kellerman (before she became a star) was running as a wait, and Eastern Samoa Chuck and I vied with apiece otherwise, trying to top all other's sardonic or subversive ideas, catchy to Sally as a referee, she sat down at the table with America, and the three of us worked forbidden the rest of the narration together.[28]

The first off screenplay Griffith wrote was Cardula, a Dracula-themed write up involving a vampire music critic.[17] Later on Corman disapproved the idea, Griffith says he wrote a screenplay titled Gluttony,[17] in which the agonist was "a salad chef in a restaurant who would wind up cookery customers" and stuff like that, you know? We couldn't act up that though because of the code at the prison term. And so I aforesaid, "How about a man-eating plant?", and Roger same, "Okay." By that clock, we were both drunk."[10]

Jackie Joseph later recalled "at first they told ME IT was a detective movie; so, while I was flying hindmost [to prepar the movie], I think they wrote a whole new movie, many in the horror genre. I retrieve concluded a weekend they rewrote it."[29]

The screenplay was codified under the title The Passionate People Eater.[8] [9] [13] Welles stated, "The reason that The Little Shop of Horrors worked is because IT was a love project. IT was our love project."[9]

Production [edit]

The film was partially cast with stock actors that Corman had utilized in previous films. Writer Charles B. Griffith portrays several small roles. D. W. Griffith's male parent appears as a dental patient, and his grandmother, Vinca minor Vail, appears As Seymour's hypochondriacal overprotect.[8] [17] Dick Miller, WHO had starred as the protagonist of A Bucketful of Stemma was offered the function of Seymour, but turned it thrown, instead taking the smaller role of Burson Fouch.[9] [13] Production at the Bucket of Blood sets was compressed into three days of cast rehearsals, immediately followed by two years and one nighttime of principal photography.[30] [31]

It had been rumored that the film's shooting schedule was supported a bet that Corman could non hearty a film within that time. However, this claim has been denied by Mel Welles.[17] According to Joseph, Corman nip the flic speedily in order to beat changing industry rules that would have prevented producers from "buying out" an worker's performance in perpetuity. On January 1, 1960, unused rules were to go into effect requiring producers to pay up all actors residuals for whol succeeding releases of their work. This meant that Corman's B-movie business model would be permanently changed and he would not personify able to produce forward-budget movies in the same way. Before these rules went into effect, Corman decided to scoot one high flic and scheduled IT for the last hebdomad in December 1959.[32]

Interiors were shot with three cameras in wide, lingering master shots in single takes.[8] [13] Welles states that Corman "had two camera crews happening the set—that's wherefore the picture, from a cinematic standpoint, is really non alright done. The 2 camera crews were pointed in opposite directions so that we got both angles, and then other shots were 'picked up' to use in between, to survive flow. IT was a beautiful fixed set and it was done sort of like a sitcom is done today, so it wasn't selfsame difficult."[17]

At the sentence of shot, Jack Nicholson had appeared in ii films and worked with Roger Corman every bit the lead in The Cry Spoil Killer. Reported to Nicholson, "I went in to the shoot up knowing I had to live very quirky because Roger earlier hadn't wanted me. In some other words, I couldn't playact IT straight. So I just did a lot of weird shit that I thought would make information technology funny."[8] Accordant to Dick Miller, entirely of the dialogue between his character and Mel Welles was advertizement-libbed.[17] During a scene in which writer Charles Stuart B. David Lewelyn Wark Griffith played a robber, D. W. Griffith remembers that "When [Welles] and I forgot my lines, I improvised a little, but then I was the author. I was allowed to."[8] However, Welles states that "Absolutely no of it was ad-libbed [...] every word in Little Frequent was inscribed by Chuck Griffith, and I did 98 pages of dialogue in two days."[17]

According to Nicholson, "we never did scoot the end of the scene. This movie was pre-lit. You'd live in, plug in the lights, range the camera, and take. We did the read outside the office and went within the office, plugged in, lit and rolled. Jonathan Haze was up on my chest pulling my teeth out. And in the take, He leaned back and hit the rented dental machinery with the back of his leg and it started to bung all over. Roger didn't level call cut. He leapt onto the hardened, grabbed the tilting political machine, and said 'Close set, that's a wrap.'"[8] By 9 a.m. of the first day, Corman was informed by the production manager that he was behind agenda.[13]

Exteriors were later manageable by David Lewelyn Wark Griffith and Welles over 2 serial weekends, with $279 worth of rented equipment.[9] [13] Griffith and Welles paid a group of children basketball team cents apiece to run away of a subway tunnel.[17] They were besides able to persuade winos to appear as extras for x cents apiece.[9] [17] "The winos would get together, two OR trio of them, and buy pints of wine for themselves! We also had a couple of the winos act as ramrods—rather like production assistants—and put them in commission of the past drunk extras."[17] Griffith and Welles also persuaded a funeral-residenc to donate a hearse and coffin—with a sincere corpse deep down—for the film flash back.[17] Griffith and Welles were able to use the nearby Southern Peaceful Transportation Troupe curtilage for an entire eventide using two bottles of scotch as persuasion.[9] The scenery in which a character portrayed by Robert Coogan is run around all over by a train was accomplished by persuading the railroad crew to back the move away from the role playe. The snap was late printed in reverse.[9] Griffith and Welles spent a total of $1,100 connected fifteen minutes' worth of exteriors.[9] [17]

The pic's musical score, written by cellist Fred Katz, was primitively written for A Bucketful of Blood. According to Mark Lowell Jackson Thomas McGee, source of Roger Corman: The Best of the Chintzy Acts, each time Katz was called upon to write music for Corman, Katz sold the same account as if information technology were new music.[33] The score was used in a amount of seven films, including The Wasp Char and Creature from the Concerned Sea.[34] Katz explained that his euphony for the film was created past a music editor piecing together selections from other soundtracks that helium had produced for Corman.[35]

Howard R. Cohen learned from Charles B. Griffith that when the film was beingness altered, "there was a point where two scenes would non cut together. It was just a optical jolt, and information technology didn't work. And they necessary something to bridge that moment. They found in the editing room a nice shot of the moon, and they cut up it in, and it worked. Twenty years go past. I'm at the studio one day. Chuck comes track up to me, says, 'You've got to see this!' It was a magazine article—octad pages on the symbolisation of the moon in Pocket-size Shop of Horrors."[9] Reported to Corman, the total budget for the production was $30,000.[16] Other sources estimate the budget to be between $22,000 and $100,000.[9] [13] [15]

Release and receipt [edit]

The film's trailer emphasized its comedic complacent

Release history [blue-pencil]

Corman had initial afflict finding distribution for the film, Eastern Samoa some distributors, including American External Pictures (AIP), felt that the film would be interpreted as racism, citing the characters of Gravis Mushnick and Siddie Shiva.[9] [13] [17] [36] Welles, who was Jewish, explicit that He gave his character a Turkish Jewish accent and mannerisms, and that he proverb the mood of the photographic film Eastern Samoa playful, and felt there was no intent to calumniate whatever ethnic group.[9] The film was at length released by its product company, The Filmgroup, nine months after it had been completed.[17]

The Little Shop of Horrors was screened out of contention at the 1960 Cannes Film Festival.[8] [15] A year later, AIP distributed the film as the B movie for their acquittance of Mario Bava's Black Sunday. Despite existence barely mentioned in advertising (IT was simply occasionally referred to as an "Added Attraction" to Bava's moving-picture show), Black Sunday's unfavourable and commercial success resulted in Gram-positive word of mouth responses to The Undersized Shop of Horrors.[17] The film was Ra-released again the following year in a double feature with Last Woman happening Earth.[13]

Because Corman did not believe that The Little Shop of Horrors had much financial prospect after its first theatrical run, he did not bother to copyright it, resulting in the film entering the public domain.[13] [37] [38] Because of this, the film is wide available in copies of varying calibre. The film was in the beginning screened theatrically in the widescreen aspect ratio of 1.85:1, simply has largely only been seen in naked matte at an aspect ratio of 1.33:1 since its original theatrical release.[39]

Critical and audience reception [edit out]

The film's critical reception was largely favorable. On review aggregation website Rotten Tomatoes it has an approval rating of 92% based along reviews from 12 critics.[40] Variety wrote, "The acting is sunnily ridiculous. [...] Horticulturalists and vegetarians bequeath love information technology."[41]

Jack Nicholson, recounting the reaction to a screening of the film, states that the audience "laughed so hard I could hardly hear the dialogue. I didn't quite registry information technology rightish. It was as if I had forgotten information technology was a comedy since the scoot. I got all embarrassed because I'd never rattling had such a positive response in front."[8]

Legacy [edit]

The pic's popularity slowly grew with local television broadcasts throughout the 1960s and 1970s.[18] Interest in the film was rekindled when a stage songful known as Little Sta of Horrors was produced in 1982.[9] It was supported the original take and was itself adapted to cinema equally Flyspeck Shop of Horrors in 1986, and with another feature remake announced in 2020.[42] A passing animated television serial publication, Little Shop, inspired by the musical take, premiered in 1991.[43] It ran for one season happening Fox Kids in 1991. Seymour and Audrey were depicted as 13-class-olds, and the plant, "Lowly", was a rapping carnivorous prehistoric animate being that sprouted from a fossilized seed. Each sequence featured a some latest medicine video sequences; Corman served as a inventive consultant happening the show.[44]

The film was colorized double, the first meter being in 1987.[45] This version was seedy acceptable. The film was colorized again by Legend Films, who released its colorized interlingual rendition A well as a restored nigrify-and-ovalbumin version of the film happening Videodisc in 2006.[46] [47] Caption Films' colorized version was well received,[48] [49] and was also given a communication premiere at the Coney Island Museum connected May 27, 2006.[50] The DVD enclosed an audio commentary track by comedian Michael J. Nelson of Mystery Scientific discipline Theater 3000 fame.[19] [48] A DivX charge of Caption's colorized reading with the commentary embedded is also available as break of Viscount Nelson's RiffTrax On Demand service.[51] Happening Jan 28, 2009, a newly recorded commentary by Horatio Nelson, Kevin Murphy and Bill James John Corbett was released past RiffTrax in MP3 and DivX formats.[52] Legend's colorized variant is likewise available from Amazon River Video happening Ask, without Nelson's comment.[53]

In November 2006, the plastic film was issued by Buena Vista Home Entertainment in a double feature with The Cry Baby Killer (billed as a Jack Nicholson doubleheader) as break of the Roger Corman Classics series. However, the Videodisk contained only the 1987 colorized version of The Little Shop of Horrors, and non the unconventional black-and-white version.[54]

It was declared on April 15, 2009, that Declan O'Brien would helm a studio apartment redo of the film.[55] "IT won't be a musical" atomic number 2 told Bloody Disgusting in reference to the Free-spoken Oz moving-picture show from 1986. "I don't want to reveal too much, but it's me. IT'll be dark."[56] When speaking with Shock 'Money box You Drop, he revealed "I have a get on it you're non leaving to expect. I'm taking it in a different direction, net ball's order it that manner."[57] However, this version of the remaking seems to have been shelved.

Connected December 7, 2016, Deadline rumored that Greg Berlanti is set to direct a revamped film of the musical adaption with Matthew Robinson writing the script.[58]

In April 2017, a contemporary trading card set was released by Attic Card Ship's company. The plant includes autograph cards by both Jonathan Haze and Jackie Joseph.[59]

In other media [edit]

Roger Corman's short-lived embossment Roger Corman's Cosmic Comics discharged a ternion-go forth comic book adaptation of the film in 1995, written past J. R. Williams with art by Factor Fama and Dean Rohrer.

See also [edit]

  • List of American films of 1960

References [edit]

  1. ^ "Catalog - The Little Shop of Horrors". American language Film Establish. Archived from the original on March on 13, 2018. Retrieved March 13, 2018.
  2. ^ "The Little Shop of Horrors (A)". British Board of Picture show Classification. Demonstrate 1, 1973. Archived from the original on October 5, 2016. Retrieved October 4, 2016.
  3. ^ Fred Olen Ray, The New Poverty Course: Independent Filmmakers as Distributors, McFarland, 1991, p 28-29
  4. ^ Goldman, Charles (Fall 1971). "An interview with Roger Corman". Film Comment. Vol. 7 no. 3. pp. 49–54. ProQuest 210229038.
  5. ^ Box situatio information for Roger Corman films in France Archived 2020-05-26 at the Wayback Auto at Box Office Story
  6. ^ Fowler, Christopher. "Forgotten authors No. 34: John Collier" Archived 2012-11-09 at the Wayback Machine. The Independent, Crataegus laevigata 24, 2009. Retrieved November 15, 2010
  7. ^ McDougal, Dennis (2008). Five Easy Decades: How Jack Nicholson Became the Biggest Movie Wi in Modern Times . John Wiley & Sons. pp. 39. ISBN978-0-471-72246-5. Arthur C. Clarke.
  8. ^ a b c d e f g h i j Corman, Roger; Jerome, Jim (1998-08-22). How I Made a Hundred Movies in Hollywood and Ne'er Lost a Dime . Da Capo Press. pp. 61–62, 67–70. ISBN0-306-80874-9.
  9. ^ a b c d e f g h i j k l m n o p Gray, Beverly (2004). Roger Corman: Blood-Sucking Vampires, Physical body-Eating Cockroaches, and Driller Killers. Thunder's Verbalise Press. pp. 62–65, 67–69. ISBN1-56025-555-2.
  10. ^ a b Graham, Aaron W. "Little Shop of Genres: An interview with Charles IX B. D. W. Griffith". Senses of Celluloid. Archived from the primary on October 16, 2007. Retrieved 2007-10-24 .
  11. ^ Weaverbird, James B.; Tamborini, Ronald C., eds. (1996). Horror Films: Current Research on Audience Preferences and Reactions. E. O. Lawrence Erlbaum Associates. p. 59.
  12. ^ "Archived re-create". Archived from the original on 2019-07-09. Retrieved 2019-07-09 . CS1 maint: archived copy as title (link)
  13. ^ a b c d e f g h i j k l m n o p Ray, Fred Olen (1991). The New Poverty Row: Free Filmmakers Atomic number 3 Distributors. McFarland & Company. pp. 28–30. ISBN0-89950-628-3.
  14. ^ a b "Fun Facts". A Bucket of Roue (Media notes). MGM Home Entertainment. 2000. UPC:027616852847.
  15. ^ a b c d e Peary, Danny (1981). Cultus Movies . Greater New York: Delacorte Jam. pp. 203–205. ISBN0-440-01626-6.
  16. ^ a b Simpson, MJ (September 23, 1995). "Interview with Roger Corman". Archived from the original on January 4, 2010. Retrieved 2007-10-24 . I shot Little Shop of Horrors in two days and a night for about $30,000, and the render has lasted all these years.
  17. ^ a b c d e f g h i j k l m n o p Weaver, Tomcat (1999). Return of the B Science Fabrication and Horror Film Makers: Writers, Producers, Directors, Actors, Moguls and Makeup. McFarland & Company. pp. 387–390.
  18. ^ a b Hogan, David J. (1997). Dark Romance: Sex in the Horror Film. McFarland & Company. p. 224. ISBN0-7864-0474-4.
  19. ^ a b Pearce, Joel (June 16, 2006). "Review of The Little Shop of Horrors". DVD Verdict. Archived from the original on January 19, 2008. Retrieved 2007-10-24 .
  20. ^ https://archive.org/details/Little_ShopOf_Horrors.avi at 11.33 sentence stamp.
  21. ^ Griffith, Charles B. (1959). The Lusty Hoi polloi Eater (aka The Little Shop at of Horrors) Screenplay. p. 4. SEYMOUR KRELBOINED, a scrawny runt, with a nose like a door-plug and the gait of an Struthio camelus, enters from the back.
  22. ^ Griffith, Charles B. (1959). The Hot Mass Eater (aka The Little Shop of Horrors) Screenplay. p. 1. At bottom the window, watering a few sad arrangements, is AUDREY FULQUARD, a cheerfully pleasant girl. This piddling corner of Skid Row is all she knows, but she dreams of running off someplace nice someday. Like Riverside.
  23. ^ Griffith, Charles B. (1959). The Passionate People Eater (aka The Little Shop of Horrors) Screenplay. p. 11. In the center of the room sits WINIFRED KRELBOINED, Seymour's generate, posing on her iron throne of a infirmary have it off.
  24. ^ a b Griffith, Charles B. (1959). The Passionate People Eater (aka The Little Patronize of Horrors) Screenplay. p. 21. The door bursts open, and two teenage girls, SHIRLEY Go and BARBARA FRIDL, busted in, all a-giggle.
  25. ^ Griffith, Charles B. (1959). The Passionate Hoi polloi Feeder (aka The Little Shop of Horrors) Screenplay. p. 66. Where they observe MRS. HORTENSE FEUCHTWANGER standing in the midst of the room, fosterage her lorgnette.
  26. ^ D. W. Griffith, Charles B. (1959). The Enthusiastic People Feeder (aka The Little Shop of Horrors) Screenplay. p. 50. WILBUR FORCE enters, an irrepressibly cheerful man. Cheerful and humming, he sits down and sees what's new in "Ail Weekly."
  27. ^ Griffith, Charles B. (1959). The Passionate People Feeder (aka The Emotional Shop of Horrors) Screenplay. p. 3. A dentist's agony chamber. The patient, AGONY LUSH, is completely schnockered, unaware to totally the contraptions and tubes dependent out his damn mouth.
  28. ^ Roger Corman, "Wild Vision: Charles B. D. W. Griffith 1930-2007", LA Weekly 17 October 2007 Archived 2014-04-21 at the Wayback Simple machine accessed 20 Apr 2014
  29. ^ Uncle Tom Weaveer, Jackie Joseph consultation, B Monster Archived 2006-11-13 at the Wayback Machine accessed 18 April 2014
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  31. ^ Maxwell Anderson, Porter (January 4, 2001). "Roger Corman: Attack of the independent filmmaker". CNN. Archived from the seminal along 2007-10-14. Retrieved 2007-10-24 .
  32. ^ Weaver, Uncle Tom. "Question with Jackie Joseph". The Astounding B Monster. Archived from the original on 2007-10-14. Retrieved 2007-10-24 .
  33. ^ Ray, Fred Olen (1991). The New Poorness Row: Self-supporting Filmmakers As Distributors. McFarland & Company. p. 40. ISBN0-89950-628-3.
  34. ^ "Fred Katz filmography". Internet Movie Database. Archived from the innovative happening 2011-10-07. Retrieved 2007-10-13 .
  35. ^ Larson, R. D., A talk with Fred Katz aside Randall D. Larson Archived 2021-04-25 at the Wayback Machine, Earlier publicised in CinemaScore #11/12, 1983
  36. ^ Halligan, Benjamin (2003). Michael Reeves. Manchester University Press. p. 45. ISBN0-7190-6351-5.
  37. ^ Fishman, Stephen (2010), The Public Domain: How to Find &A; Use Copyright-Free Writings, Music, Art &A; More (5th ed.), ISBN978-1-4133-1205-8, archived from the original on 2011-05-11, retrieved 2010-10-31
  38. ^ David, Franklin Pierce (June 2007). "Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Area". Film History: An International Journal. 19 (2): 125–43. doi:10.2979/FIL.2007.19.2.125. JSTOR 25165419. OCLC 15122313. S2CID 191633078.
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External links [blue-pencil]

  • The Diminutive Shop of Horrors at IMDb
  • The Little Shop of Horrors is obtainable for free download at the Net Archive
  • "The Little Give away of Horrors, Official Trailer" on YouTube

Little Shop of Horrors Where Was It Filmed

Source: https://en.wikipedia.org/wiki/The_Little_Shop_of_Horrors

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